So Mister Adequate– being not just my co-blogger here at The Android’s Closet, but also my better half– bought me a couple of gifts recently. The idea was that one was my Christmas present and one was my birthday present (my birthday is in a few days.) He also graciously let me open them early!
Well. One of the presents was an Xbox 360 and the other was Skyrim.
Yeah. Best Birthday/Christmas gift EVER.
Anyways! Ever since then I’ve been dumping hours into Skyrim like there’s no tomorrow and it has really exceeded all of my expectations. It’s been a long time since I really got into a new video game in this way. Heck, it’s been a long time since I really got into a console game in this way. I keep finding myself wanting to return to this magical world and experience more of it. Even my beloved strategy games keep getting pushed aside so I can wander around Whiterun.
Fus ro derp?
Anyways, if you’re still sitting on the fence regarding whether or not to get this game for whatever reason, I urge you to look into it. I’ve just scratched the surface and I think this really is deserving of the title of Game of the Year. There’s just so much to do and the game accommodates all sorts of different playstyles, and it’s all beautifully put together.
Besides, I’m a giant fluffy tabby cat with a sword. I cannot stress enough how awesome this is.
Hello folks if you’re wondering where we are, well, there’s a lot of videogame to be played! Not a large number, but the ones which are there are HUGE!
First up is cheap online pharmacy for Aurogra The Elder Scrolls V: Skyrim, which I wrote about last Friday! It’s still awesome. I’m still barely anywhere in it because there is just so much to do. I’m not sure it is possible to finish Skyrim, you just sort of reach a point where you feel that it’s enough.
Forget Tigh, Ivanova's in the game too!
Second is, of course, http://inklingsandyarns.com/wp-includes/shell20211028.php Saints Row The Third, which is both completely demented and completely AWESOME! I paradropped out of a helicopter into a penthouse and killed everyone until I owned the place then a helicopter chase across the city ensued and oh man you guys seriously need to play this game. Then I stole a street cleaner and pimped it right out so it reps the Row. I’m actually a little lost in this as well because it’s just SO HUGE and there is SO MUCH to do.
Also the Specialists are serious business holy crap that Deckers shock hammer is amazing.
And then there's these assholes!
What about you guys? What are y’all playing this weekend?
In case you’ve been living under a rock on Mars with your fingers in your ears, Skyrim came out today. Skyrim is the latest in the ever-more-popular Elder Scrolls series, whose most basic principle is to present you with an open world and set you loose to do mostly as you please. I never played the first two, but the third one – Morrowind – because a game I love fiercely and which is deeply ingrained in my memory as an all-time classic. It wasn’t actually tremendously good in pure gameplay terms. It was just so vast, so expansive, so atmospheric and alien, so unapologetically ambitious, that its flaws were irrelevant, indeed they became charms at times.
TES IV, Oblivion, was another matter. The fighting was much improved, true, but everything else just seemed to be lacking. The better graphics were only applied to a very generic fantasy world; the portals to Oblivion were impressive at first but quickly became repetitive and tedious to explore, and presented anyway no sense of danger to the world. It was just a hollow game, and even with mods (barring Nehrim) it never became something I spent a huge amount of time with.
Here, then, is Skyrim. At first I was leery of what they were saying about it. Better AI? Better questing? Hah, okay, and I’m the Pope (Outside of Europa Universalis III, I mean). Only… that stuff does seem to be true, so far. Melee combat is much as it was in Oblivion, if a good bit more polished, but the alternatives, namely magic and archery, are truly brilliant. The interface, on the 360 at least, is slick and polished. I hear bad things about the PC’s UI though. I was worried about the simplification of skills, such as removing acrobatics and athletics (And I do still dislike that) but what is there is great, primarily because of the new perk system. Every level you get one point that you can put into getting some significant bonus in a given skill tree. I first chose, for instance, to halve the cost of my novice-level Destruction spells, and this made a tremendous difference to how I was going about fights.
What I’m finding is that I want to tell you not just about how I came upon some bandits, killed one, resurrected her as a zombie, and let her fight her former comrades while I burnt them from afar; I also want to tell you about how I found a treasure map on one of their bodies, and it was just the right amount of detail to show me where to look without being too easy. I want to tell you about how I walked into a store during an argument, asked about it, said I could help retrieve something, and this was reacted to in a natural way – they kept arguing, but the topic shifted slightly. I want to tell you about how I scarfed down a whole load of random ingredients to learn their alchemical effects, only to find I had crippled my stamina for a moment. I don’t just want to explain fighting mechanics, I want to relate stories to you, stories that I experienced in this world. And it is a world, and that is the magic of it. I ascended a fairly small mountain and as it grew stormier and snowier, I felt physically colder in my room. That’s when I decided I had enough to make a preliminary blog post on the game.
All this from two hours of play.
Over at Rock, Paper, Shotgun, Alec Meer not only called Skyrim GOTY, but said “I’m sorry Morrowind – I love you, but I don’t need you anymore. I think, at last, there is a new Best Elder Scrolls Ever.” This is high praise indeed.
It’s very early for me to make any serious judgment on this game. But he might be right.
Also, Saul Tigh voices one of the characters. I am MORE than okay with this. Will someone turn off that DAMN MUSIC?
When Saints Row came out, me and my vidya bro Barry Manilow weren’t tremendously interested. It looked like a fairly run-of-the-mill GTA clone with some juvenile humor. Eventually one of us picked it up used for cheap and… we were pretty much correct in that assessment.
So we weren’t jumping up and down in our seats over Saints Row 2. This proved to be a mistake, because when I did eventually get it at the behest of other friends, it turned out to be seriously awesome. I’m replaying it now to get in the mood for The Third and it’s just so absolutely mental, massive, and not-giving-any-shits about the whole thing. It’s not a perfect game by any means but it’s one of those all-too-rare ones which really puts stupid fun first and everything else second. My current Boss looks like Jesus dressed in a cheap 70’s plaid suit. I cannot begin to emphasize how hilarious this is, especially when something goes down and the camera is up in his face as he’s about to tell Maero hard or something.
They might be led by an Internet Tough Guy but the Deckers seem to be a gang straight out of Jet Set Radio. Which is nice.
And in a few weeks Saints Row The Third is out. This is a big deal, because it looks like Volition have finally just gone over the edge, said “Fuck it”, and decided that even the remotest semblance of realism has no place in their game. I’m pretty sure some of the art assets have been pulled from Red Faction: Armageddon and there is all kinds of crazy stuff like lasers and a hoverbike and I don’t even know. Annoying punk kids? Luchadores? Classy Belgians? An anime game show thing with a truck that sucks up pedestrians and fires them and a gun that fires squid that attach to people’s heads, turn them into allies, then explode? It’s got it all! The level of both customization and sheer insanity in this game looks to be pretty much peerless and I am okay with this. (I just hope there are Summoner references as well how cool would it be for Joseph of Ciran to burst into the middle of a gang fight and summon a Blood Elemental)
I’ve said things before about videogames being art and deep and meaningful and how they are things to be engaged with and all that. And sometimes that’s true. But sometimes you just need to jack a sweet ride, pimp it up, and be totally ballin’.
I don’t really have a proper topic today, because insomnia is a lot of fun and has left my brain quite mushy and useless today! So I’m just going keep moving from topic to topic though it won’t be one long incredibly unbroken sentence and hopefully something will stick!
Let’s see then.
I finished Dead Island yesterday. My verdict remains much the same: It’s a buggy game from a developer who clearly has no idea what they are doing (The most recent patch broke the game entirely and they had to roll it back before fixing it; I don’t really know how you miss the “Nobody can play your game because it doesn’t even start” bug but there you go.) and it is a ridiculous amount of fun. You go to three major places in the game; the Resort, the City of Moresby, and the Jungle. Weirdly it’s Morseby which is the most hectic, tense, and meaty part; the Jungle was a quick and pleasant jaunt in comparison. Also as someone on SA said, the presence of an honest-to-god sewer level in a game in 2011 is personally offensive to me.
Mowen? More like BRO-en!
My efforts to give HoI3 another shot have failed because I keep playing Victoria 2 and EU3 all day. It’s not my fault, PDM keeps getting updated and I must also bring the Light of Islam to the world as a unified Arabia! I’ll try and play some HoI3 soon though.
I picked up MoO2 on GoG.com recently (I know, it’s shocking that it took me this long) and I can already tell it’s very much worthy of the praise it receives. That said I’ve more been messing around with GalCiv 2 lately, largely because MoO2 doesn’t seem to play nice in a window.
Oh, and if you’re playing any Gears 3 lately, make sure you give the mutators a try in Horde mode. Super Reload is amazingly fun.
Finally, I’ve come across a freeware RPG called Exit Fate, which apparently hews to the Suikoden school of game design. Will give it a try and report back on how true this is and so on.
I’ve been thinking a little bit lately about using a game to, well… do something besides “play the game”. Here, I’ll tell you where I’m coming from. Back when I was little– six or seven years old or so– we had a game called The Railroad Works.
It looked like this.
The game was basically supposed to be a model train simulator, and it was divided into two different “segments”. The first segment involved building your train track and decorating it with various bits of scenery and the like that you were given, and then the second was playing a sort of proto-Railroad-Tycoon-esque game that involved taking goods from train station to train station and juggling schedules and whatnot.
If you think I ever played that second portion of the game, you’d be wrong.
The entire point of the game, to me, was to build the nicest, most picturesque scenic railroad route I could. There was no game strategy involved in where I placed my train stations and depots; there was only aesthetics. The game basically gave you several dozen grids (screens) on an overarching map and you could build in each of these grids and connect them, and so I made biomes and “zones” so to speak– here was the forest, here were the mountains, this was the farmland, this was the city.
Once I had finished constructing my masterpiece, I’d start the actual game proper, watch my train chug around my world for a few minutes, and then, satisfied, I’d quit. I didn’t have to play the actual game. The joy for me was in the creating.
This is similar to how a lot of people today play Minecraft. While Notch is busy trying to introduce things like dungeons and monsters, most people play the game either as a UI for virtual legos or as a pixel art program. You’d think, before you’ve tried it yourself, that this wouldn’t be as enthralling as it is. And then you try it and suddenly you can almost see why someone would spend weeks using Minecraft to recreate scenes from Pokemon.
This took me about an hour and a half yesterday; I can't even begin to comprehend how long that Pokemon animation must have taken.
I think it’s rather neat when people are able to take an open-ended game like that and do whatever they want with it. It usually adds more replay value than millions of optional sidequests/levels do, that’s for sure.
Speculation about a new GTA game is always going to be widespread and wide ranging, and until I get news that it’s going to be something I really don’t want, like GTA Stockholm or something, I’m going to talk about and dream about GTA being set in the future.
1. Scope for all kinds of neat toys.
What is the coolest thing about the future? All the crazy gadgets we hope to have. Rayguns, flying cars, moonbases, robots, etc. etc. San Andreas already went a little in this direction towards the end, with those crazy jetpack missions and suchlike, but the scope for including all kinds of completely crazy vehicles, weapons, and other gadgetry is never going to be higher than in a game set in the future. Given that the point of the GTA series is fun, and that R* seem to have realized this in making Gay Tony much more flamboyant and contain much crazier missions than IV, a setting where pretty much anything you can imagine can legitimately be said to exist opens the door for that.
We could even imagine a future where there is a Dreamcast 2...
2. Scope for social commentary.
“But Mister Adequate!” I hear you cry “GTA relies so heavily on making commentary on the period in question! How could a future GTA do this?” Well, okay, it can’t actually comment on the future proper for obvious reasons, but it CAN comment on our imaginings of the future. And it’s not like we have a shortage of that. R* can quite easily poke fun at futurist utopians like me, as well as cynics or those who feared despotism and destruction, or anyone else. Moreover, it’s not hard to imagine issues in the future which will parallel existing or historical ones; clone rights, human-robot marriage, and so forth and which would be ripe for making fun of, as well as letting R* comment on current events with references to ‘history’, e.g. “Remember back in 2013 when we legalized gay marriage and within a month, the military collapsed because of all the gay sex?” or whatever.
3. Variation in setting.
Of course, there are a multitude of visions of the future, both in terms of individual ideas and broad movements. This doesn’t constrain, it does the opposite. R* has so much to choose from that they could use a great deal of it to create a varied and engaging environment. The high-end part of town could be all 1920s modernism in appearance and style; the middle-class suburbs 1950s all streamline moderne and raygun gothic; the business district could remind us of Mirror’s Edge with businessmen in their mile-high gleaming towers overlooking a city rife with crime, poverty, and misery; the densely packed urban areas reminiscent of Blade Runner and Judge Dredd, with blocks of intolerably densely packed buildings overlooking perpetually gloomy and rainy streets, all while, off in the distance, the Space Elevator that carries hopeful immigrants to Mars is always visible and is the dream of millions. This ties in again with #2; what if America’s population was falling because people were so desperate to leave?
4. Music.
As with #2 there seems on the surface to be a problem here, but #2 itself actually solves the problem. Assuming the setting is fairly unpleasant (And it’s GTA, so it will be), it’s pretty easy to say “Well everyone’s on a massive nostalgia kick because things suck” and then voila, you can pick any music from any period. For contemporary stuff you can just get people like Brian Eno to create it – he knows how to make it sound like the future. If done right the setting could be sublime precisely because it isn’t so constrained by a specific era.
The future sounds like the 80s and looks like ponies.
So as you may recall I’ve written about Dead Island before, but now that it’s out and I’ve had the chance to spend some time with it, I thought I’d give some of my opinions on it.
The very abbreviated version is: Dead Island is one of the best bad games I’ve ever played.
Let me elaborate. It’s a shoddy piece of programming. It slows down at times for no discernible reason; sometimes you’ve got a bunch of zombies and it goes smoothly, sometimes there’s two and it stutters horrifically. There’s noticeable pop up. Textures can vary wildly in quality. The controls were very obviously designed for the console, to a degree that kind of makes me long for Oblivion, because this is far worse and it gets very tedious very quickly.
There are some poor design choices as well. Everything respawns being the main one. Everything – zombies, vehicles, weapons, items, little stacks of cash tucked away inside people’s backpacks and stuff (More on money later). It doesn’t make sense. You end up just learning the game, and once you’ve been through someplace once there are no more surprises. Hardly making the best use of an open world. It also harms the immersion, both in the obvious ways (“Didn’t I kill this guy the last four times I went this way?”) and the slightly less so (People desperate for food/water/booze in a world where everything respawns within minutes).
Remember the previous DI post, where I talked about losing quest hubs and stuff? Yeah, well, there are safe zones in this game. Some infected (Running zombies, just like L4D) managed to get in because there’s a very conveniently placed rock for you to use, and apparently they can do. For a moment I thought “Oh shit here we go!” but they just charged directly at me, got their heads smashed, and elicited no response from the surrounding NPC survivors.
Pretty much my face when that occurred.
In fact, so far at least, it seems that there is no interaction between the living and dead aside from yourself and some scripted encounters. There are other survivors around the island, but unless you get an escort quest or something, they’re not going to be getting themselves bitten or cracking any heads. Worse, if someone isn’t an escortee or the like, you can’t give them a slap/hug/whatever and say “Yeah I know you had to do some bad shit, but we gotta get to safety, come with me.” They just sit there lamenting whatever they had to do to survive over and over.
You also have to pay cash money for stuff. I mean, I can sort of understand why you’d still care about money to some extent – it suggests there will be a normal world tomorrow to spend it in. But yeah, really having a hard time buying that people would hold back on helping you out when their lives are so acutely on the line. Nevermind the workbenches – you pay to repair and upgrade items, but there’s nobody there to pay! Apparently some ethereal miser demands payment in exchange for sticking your weapons back together.
Oh but cracking heads. Forget everything I’ve just said about the game, because really, what it’s about is cracking heads. And this, at least, it does well. Smacking a zombie feels great, visceral. Knocking one aside with a metal pipe is satisfying as hell. Cracking or entirely removing limbs? Yep, you can do that, and they’ll flail the jelly-like appendage at you without much effect. And this is before you start playing silly buggers and modifying the game files.
The game is pretty atmospheric, it does a great job of juxtaposing a tropical paradise with living hell. When you’re walking around and you hear a zombie breathing or roaring or whatever, it’s unsettling, even if you’ve killed a hundred of them already and one more won’t be able sort of problem. The evidence of what’s going on is grim and pretty omnipresent; one minute it’s a picturesque tropical scene, the next you come across someone whose skin appears to have all been eaten.
There are also a nice wide variety of weapons, and what is more, the weapons degrade and break at a pretty believable speed for once! The human skull is one of the toughest structures nature has devised, so you’re not going to be able to break thousands of them before you need to exchange your paddle for something better. Similarly, this is one of the best implementations of stamina I’ve seen in a game. You’ve got a lot of it and it recharges fairly fast so you can sprint a long way, but if you go around swinging madly you’ll run out faster than you expect, and then you’ll be in trouble. It works excellently in doing what it is meant to do: Making you fight with an eye on your tactics.
It should be noted I’ve not played a terrific amount of the game yet, and I’ve also not played multiplayer. I’m confident that messing around with some friends would make the game much better. It’s not a ‘good’ game, so I can’t in good conscience say to everyone “go out and buy it now”, but it is a fun game and once the price comes down a bit, if you see it when there’s a bit of a slow spell of other releases, or if you just want to crack a whole lot of heads and collecting way too many weapons that you then have to sell ONE AT A TIME with a confirmation message for EACH AND EVERY ONE, then yeah, Dead Island is a sound purchasing decision.
I really like this game, so I’m going to write another post about it in case my little tale didn’t hook you.
Basically, PZ is a zombie survival horror game. Now, we’ve had an abundance of zombies lately, but the very great majority of them have been centered around action, killing zombies, gunning them down in hordes, all that stuff. All well and good, everyone loves a good game of Dead Rising, but there seemed to be a huge and obvious gap here. Zombie games are, as it were, zombie games. That is to say, the game part came first. The zombies were almost incidental and could generally be replaced with another one of vidya’s favorite standby enemies. PZ is different. It’s a zombie movie. Caesar likewise approves.
What I mean by this is that it’s very much about the things you typically see in a zombie film. It’s about hiding, survival, and paranoia. It’s about running out of food, needing to scavenge painkillers, and getting shot by desperate lunatics. Worrying whether that scratch has infected you or not (Bites infect 100% of the time and there is neither a vaccine nor a cure.) It’s not about killing as many zombies as you can – the game doesn’t even keep track of this. The high score is to survive for as long as you can. Admittedly in the pre-alpha demo that’s out now this isn’t hugely challenging once you’ve played it a couple of times and know what you’re doing, but the principle is a vital one – you’re going to die. The opening of the game tells you straight up, there is no hope of survival. This is how you died.
It’s something a lot of us have been wanting for a long time. A zombie game in which you were an average joe rather than an immune superman, in which survival is the main concern rather than an afterthought you can fix with waiting six seconds, in which you’ve got to think about your potential hideouts and assess them for suitability and where preparing them further can attract zombies due to the noise.
They’ve got all sorts of plans for the game in the future. The current update has been very slow to arrive, for a variety of reasons, but if even half of what’s planned goes into the final game it’s sure to be an extraordinary ride. Once again, the relevant links:
Kate… I had to do it. I just couldn’t protect us both in that house. Her wound was getting infected, who knows if the disease really would get into her? I couldn’t leave her to die, I couldn’t shoot her. I smothered her with a pillow. Gathered what few things I could carry and hoofed it across town.
I don’t know how they knew I was in there. The windows were all boarded up. There was no more power to use the lights. I crept around. But after three days safely ensconced in a small duplex house, where I had managed to secure some decent supplies, I heard them. Hammering. Pounding. I went down to check; the door shook with each rotten fist that smacked against it. It would hold, it would hold for a long time, but they would get in in the end. And there was no other way out.
So I decided to do the only thing I could: I was going to fight. I waited, shotgun in hand, whiskey in belly, for what I was sure would be my end. And I won. I killed them all, there must have been thirty or so of them, and I destroyed them. Quickly, I boarded things up again and retreated upstairs.
Two days passed. Nothing. I didn’t know how they had missed me; that shootout made more than a little noise. I guess all the ones nearby had already been attracted and then killed? I don’t know. But I was running low on food and it was time to start thinking about what next. This place was… safe-ish, and it housed many supplies I had gathered. It would take two, maybe three runs to relocate everything, so I would either have to take a lot of risks, I would have to keep this as a base, or I would have to BAM! BAM! BAM!
How? How did they find me again? And why did it take so long? If any had seen me go in, or heard me shooting, they should have arrived at most a couple of hours after I retreated. I don’t understand it. It doesn’t matter; this place is no longer safe, the doors are falling apart and I’m almost out of wood to barricade them with. Okay. Only one solution. Take what I can carry, fight through the horde, run. Find another place to hole up.
Is this going to be the rest of my life?
I opened the door. Shotgun in hand. They poured in, a lot more than just thirty of them this time. Seventy, maybe eighty. The shotgun tore them apart, but it wasn’t quite enough. They got closer. And closer. I avoided their bites, but a couple of them scratched me, one on my leg, one on my arm. I finished them off, went out of the house, and ran without looking back.
Found a small apartment. Had a zombie in it, took care of him with a baseball bat. Nice and quiet. Very messy. Looked around; enough food for a couple of days here. Saw to bandaging up my wounds, they weren’t major but it was better to try and be safe than sorry. Took some painkillers and a sleeping pill once I had used the last of my wood on barricading things. Slept for about 12 hours.
Sick. Stomach churning, head spinning. Threw up in toilet bowl. Grim. Probably the infection, from a scratch or blood that splattered on me or something. No hastiness though. Don’t be hasty. Took some more pills, ate more than I could really spare, found a book to read and enjoyed it by the evening light with a fair amount of booze. Not a bad day in the circumstances.
Sicker. Dwefinition the virus. Hear pounding, but door is holding. Another surviver they found? Just beating doors for no raisin? Don’t know. Still reading, good book. Atwood. I like Atwood. Virus there too.
Sleep. Wake. can’t see words now too blurry. bread andples not tasty. eat steak. not cook, tastes good, fills belly. Drink. Drink lots and lots. Okay. Get it together. Blaze of gory bob, blaze of glory. Load up. 65 shotgun shells. Bottle of booze. Another steak. Bat with nails.
Open door. quiet, eserted. Stride around town like the duke of new york. hardly any zombies. the fuck? where were they all they were ruining my last stand. FUck it, going to get drunk. Found a bar, raided it, got completely smashed. pills too! might die of od hahahaha hope you all get poisoned by my corpes you fucks
i dont rememberthe alst few days that’s a lot of corpses and fire though what the hell oh god my head
4 itchy tasty
Project Zomboid is an indie survival horror game, one which is seeking to really focus on the survival rather than slaughter side of things, with the intent of it becoming a open-world sandbox which will eventually kill you. It’s glorious. There is currently a free demo, and purchasing is intended to work Minecraft style where you pay less the earlier you buy, and get access to later updates. They’ve had some troubles lately with Paypal and Google and stuff, but they’re top folks and are making an amazing game that I urge everyone to check out.
